Shane Berry Live at Soundbar+

Posted: March 8th, 2010 | Author: Shane Berry | Filed under: News | No Comments »

The set I played at Soundbar+ on Friday the 05/03 is available for download here. It has been slightly edited for levels and some timing issues – enjoy!

In the end I had a great time as always, a big thanks to all those who came out, danced and enjoyed the show.

The perfectionist in me though is not too happy with the performance and what follows is a break down of my experience of the set, if you are interested.

Performance

First of all it was very difficult for me to take over from the Drum ‘n Bass/Live MC set before me. To drop from 160+BPM highly energised into 128 BPM deeply groovy is a massive energy shift and I feel I was just not on game enough to pull off the transition smoothly. It was one of those nights where my timing was off by milliseconds and it compounded this feeling of slippage on my side of the performance and chipped away at my overall confidence.

Second of all, the sound check was fantastically loud but when I got on to play (with the levels I had set and finalised) it was 2/3rds of the volume and the level dip was obvious enough to have the promoter come up to me to see what was going on.

I cannot turn up the volume though my system, it is why I go and do a sound check, I am the rare artist who actually attempts to adhere to the red lights and limits set by the club so I set my levels as close to the in-house guidelines and let them take up the slack and oomph.

It was only when the house master level was raised (by the promoter sneaking behind the mixing desk and pushing up the house faders) that we reached the level previously set in the sound check and then, of course, things kicked off!

The monitoring in soundbar plus is non-existent and behind the gear it was merely a wall of low end rumble not unlike standing inside a bass bin, and I have no idea how DJs mix successfully in that environment.

I only really regained feeling for the floor at about the 20 minute mark and from there was able to get into it and get the groove going.

Production

Production wise I was trying out some new compression/eq styles for this round of tracks and it didn’t seem to work very well in Soundbar at all. The sub woofer was just completely overwhelmed and the in-house system limiters must’ve dropped the audio levels to compensate, the set really didn’t have the impact I was after and from my point of view sounded awful.

DJs have a safety net in that most of the tracks they play out have been professionally mastered, so it is very clear when a sound system is at fault or something is wrong with the mixer/set-up or the track being played.

However, since I play only music I have composed and mixed I am wholly responsible for the quality of the sound and honestly sometimes I get it a little messy.

Even more annoying is that this mixing style sounds fantastic in the studio and on various non-pro systems I tried it out on – hmmm.

I appreciate everyone blaming the sound card and other factors but really my mix downs were not up to par, I always strive to push my own production skills and in this case I pushed a little to far (literally like 1.5db boosts at 50hz – what the hell was I thinking?) so it becomes a live and learn experience and all in all I am probably one of three or four people who even noticed if at all.

Also a big shout out to Nik Sliwerski (aka Motherfunker) for lending me a sound card for the evening, it was a blessing to not have to worry about my card freezing on me again.

If you have any questions or comments about my live sets fire away and I will do my best to answer them.


Media Fodder 8: Liars – Scissors

Posted: March 2nd, 2010 | Author: Shane Berry | Filed under: Media Fodder | No Comments »

Fantastic film for the track “Scissors” by NYC band Liars.

Liars “Scissor” from A Bruntel on Vimeo.


Common Sense: Shane Berry Live In Shibuya (including encore set)

Posted: February 18th, 2010 | Author: Shane Berry | Filed under: Live Sets | No Comments »

I played an underground party in Shibuya at the end of January, in a small club called Effect. It was fantastic. The crowd was enthusiastic and responsive, the sound was good and the staff friendly.

Main Set

The set is based around a few words by NY times art critic Michael Kimmelman expounding on modern concepts of art; the notion of skill, art as a conversation and ultimately the inherent lie at the heart of art. It also features an orgasm by porn actress Viv Thomas recorded off the internet. All is not what it seems. It starts mellow and deep but changes mood abruptly in a study of aural contrast. (black on white). There are ebbs and tides all the way, (white on black, black on white ) each track feeding into the other while building to a climactic contrast of rough orgasmic intensity, sparse, delicate beauty (white on white) and motor reflex contractions beyond our control.

Encore
The atmosphere was perfect and everyone was really into the music, so much so that they would not let me off until I played an encore.

It it caught me completely off guard and I was unable to locate the song I wanted to play out so everyone was watching me fumble around on my laptop in complete silence and then someone in the audience yelled out “Daijobudesuka?” (Is everything okay?/Are you alright?)

With some of my Japanese fans asking this is a running joke because often in my live sets, after a crazy break down or moment of intensity, I play a sample of a Japanese woman asking this question and now they were asking me back.

It was very funny, even for those unaware of the in-joke and it just so happened that I had the sample at hand so I started the encore with the daijobudeska sample and the place went ballistic.

After the Common Sense set finishes if you wait about 2 minutes (yes it took me that long to get my shit together) you can hear the the encore with the “Diajobu desu ka?” sample

Watch your ears, it gets pretty noisy.

 
 Shane Berry Live and Unedited in Shibuya: Play Now | Play in Popup

Media Fodder 7: Record Grooves Under Electron Microscope.

Posted: February 18th, 2010 | Author: Shane Berry | Filed under: Media Fodder | No Comments »

Amazing images of record grooves taken with an electron microscope.


Media Fodder 6: Award Winning Music Video.

Posted: February 9th, 2010 | Author: Shane Berry | Filed under: Media Fodder | No Comments »

‘Hibi no Neiro’ (Tone of everyday)

Hibi no Neiro (Tone of Everyday) from Masashi Kawamura on Vimeo.

This music video was shot for Sour’s ‘Hibi no Neiro’ (Tone of everyday) from their first mini album ‘Water Flavor EP’. The cast were selected from the actual Sour fan base, from many countries around the world. Each person and scene was filmed purely via webcam.

Director: Masashi Kawamura + Hal Kirkland + Magico Nakamura + Masayoshi Nakamura

SOUR official site: sour-web.com

2009 Zealot Co.,ltd / Neutral Nine Records